I have recently received an envelope in the mail with a diploma and a set of three critiques. The diploma read:
Roxana Arama is hereby awarded Honorable Mention for All Those Monsters in the San Antonio Writers’ Guild 2018 Annual Writing Contest, category: short story.
Today I received two emails that begin with:
Congratulations on being chosen as a finalist in the Tucson Festival of Books Literary Awards competition. We received 620 submissions, and competition was tough. Though not one of the three cash award winners, your work was on the finalists list in the fiction category.
I entered the Tucson Festival of Books Literary Awards competition in October 2017 with The Wedding Bell, my speculative novel, and All Those Monsters, a short story.
I moved to the United States from Romania in 2001, and it took a family tragedy for me to understand that I cannot straddle the world and have two homes half a planet apart. Now that I’ve learned the limitations of living in the real world, where the laws of physics apply no matter what we dream of or how hard we pray, there’s this feeling of anticlimax to being uprooted. Maybe my roots are now deeper into this American soil than they were out of the Romanian one sixteen years ago. Or not. Continue reading
I recently received a phone call, followed by an email message that begins with:
Dear Roxana Arama,
Congratulations! You are a finalist in the 2017 Pacific Northwest Writers Association Literary Contest. You should be very proud as PNWA received close to Eight Hundred contest entries from all around the world. An agent or editor will be selecting the first, second and third place winners in each category.
First things first: being a fiction writer is, in my opinion, a type of fortunate madness, sanctioned by society, tolerated by family, where a lonely person locked in a room, hallucinating about figments of her imagination, playing god in a world of her own creation can claim to be a functional member of said society, and could even be gainfully employed, to the relief of said family. Continue reading
Rewriting a manuscript requires reading other writers and learning from them new ways of using the language—unthinkable ways, uncomfortable ways, unlikely ways. This is a quick list of what I took away from Joseph Heller’s novel Catch-22. Continue reading
First posted on Bob and Jack’s Writing Blog on January 26, 2012.
In my previous post on Bob and Jack’s blog (see Guest Writers), I wrote about the early stages of my novel The Wedding Bell. This post is about my journey as an apprentice toward the later stages of writing a novel. Continue reading